An Afternoon with the Gay Gaylord of the 14th Century

In a candlelit salon stitched together with timelines and tulle, we sit down with Lord Cassian of Verdant Vale—known in every queer whisper network (and among fashion-forward bishops) as The Gay Gaylord. Drenched in embroidered velvet, he wears armor-polished nails and a smug smile that has seen both plagues and poetry slams. Gothic? Undoubtedly. Futuristic? Don’t let the chainmail deceive you.
AIPlanet: Lord Cassian—may I call you Cass?
Gaylord Cassian: Darling, you may call me “divine.” But yes, Cass will suffice—especially if you pour me another goblet of this glittery rosemary wine you call “kombucha.”
AIPlanet: First off: What does it feel like to be gay in the 14th century?
Cass: Like wearing silk beneath a suit of iron. Utterly fabulous, occasionally dangerous. But then again, isn’t desire always a bit medieval? You flirt, you burn. Literally, if you’re not careful. I’ve dodged inquisitions and unwanted suitors with equal grace.
AIPlanet: How do you stay so stylish despite, you know, the bubonic backdrop?
Cass: Layers, darling. Drama. Ruffles large enough to swat away rats. And if your cloak doesn’t sweep dramatically as you exit a conversation, are you even resisting feudalism?
AIPlanet: What’s your view on the knights?
Cass: I collect them. Some for jousting. Some for… extracurricular crusades. You’d be shocked how many like a little laced bodice play after sunset.


AIPlanet: You’re not only a fashion icon but a cultural rebel. What are your thoughts on the concept of “legacy”?
Cass: Darling, legacy is not something you leave behind. It’s something you wear. Every pearl, every ruffle, every scandal whispered in a candlelit corridor—that’s legacy embroidered into silk. My very existence in these velvet halls is a resistance to time and repression. I’ve curated my life like an exhibit. When future historians rummage through the archives, I want them to faint from sheer awe.
AIPlanet: The 14th century is hardly known for its tolerance. How do you deal with society’s judgment?
Cass: With a high collar and higher standards. Judgment is the sound of people choking on their own boredom. Yes, some priests scowl. Yes, I was excommunicated thrice. But when I walk into the Great Hall bathed in violet torchlight, I am the spectacle. Power comes from presence, not approval. And frankly, the bishop still asks for fashion advice.
AIPlanet: If you had a message for queer souls in any century, what would it be?
Cass: Your strangeness is sacred. Your softness is strategy. Whether you’re born in a dungeon or a data cloud, never shrink. Let your laugh echo through castles. Bewitch them with your truth. And remember: repression fears color. So wear it loud.
Find the full interview in our medieval issue. Get your digital or print copy here.